In addition to the publications below, Sinéad is also the author of several co-translations into French, with Sarah Hirschmuller, of five plays by Howard Barker, all published by Editions Théâtrales, Paris.

  • SINÉAD'S BOOK

    Michael Chekhov’s Acting Technique: A Practitioner’s Guide (2019).

    SEE BOOK

  • BOOK CHAPTER

    ‘Feeling Space, Making Space: Michael Chekhov and Theatre Design’ in Michael Chekhov in the Twenty-First Century: New Pathways (2020).

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  • BOOK CHAPTER (polish)

    ‘Polyphonic Characterisation in Bernard-Marie Koltès’s Night Just Before the Forests: An Exploration of Michael Chekhov’s Feeling of Form’. (Michael Chekhov’s Acting Theory: Heritage and Inspiration, 2019).

  • COMMENTARY

    ‘Drama Schools Versus University Courses’
    (31 March 2021).

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  • ARTICLE

    ‘AntigoneNOW: Mourning and Connection Across 4 Time Zones’ with Margaret Laurena Kemp (11 March 2021).

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  • ARTICLE

    ‘Unity over Unison: Creating AntigoneNOW in Lockdown’ with Margaret Laurena Kemp, Roger Ellis, Dassia N.Posner (2021).

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  • ARTICLE

    ‘Diary of A Rehearsal Process: Rehearsing Diary of a Madman from the Michael Chekhov perspective’ (2013).

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  • article

    ‘To Be or Not to Be: Art on the Frontline’
    Macau, China (August 2021).

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  • INTERVIEW

    An interview with Fiona Shaw
    Strasbourg (2009).

    SEE ARTICLE

  • interview

    ‘A Feeling of Form: Directing Concert from the Michael Chekhov perspective: A Conversation between Sinéad Rushe and Tom Cornford’ (2020).

  • INTERVIEW

    ‘The MCCUK Past, Present and Future: Interviews with Graham Dixon, Sarah Kane and Martin Sharp, conducted and edited by Tom Cornford, Cass Fleming and Sinéad Rushe’ (2013).

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  • INTERVIEW

    ‘AntigoneNOW: how the current climate has revolutionised theatre collaborations’, an interview with Sinéad Rushe and Margaret Laurena Kemp by Natasha Stone
    (16 October, 2020).

    SEE BLOG